Claim up to $1,250 in flight credits!
Get up to $1,250 in flight credits or grants toward study or internship programs abroad when you apply by June 30, 2026. See our Official Rules for full details.
Film Studies
Universidad Carlos III de Madrid - Direct Enroll Program
Madrid, Spain
Dates: late Aug 2027 - late Dec 2027
Film Studies
OVERVIEW
CEA CAPA Partner Institution: Universidad Carlos III de Madrid
Location: Madrid, Spain
Primary Subject Area: Media Studies
Instruction in: English
Course Code: 13522
Transcript Source: Partner Institution
Course Details: Level 400
Recommended Semester Credits: 3
Contact Hours: 42
Prerequisites: Students are expected to have completed 'Moving Image History' and 'Reading Moving Image'.
DESCRIPTION
1-What is cinema? Introduction and basic concepts.
1.1-Ways of understanding Cinema. Industry, Institution, Culture, Aesthetic.
1.2-Film Modes and Worlds: Documentary, Experimental and Fiction.
1.3-Development of film theories.
1.4-Film studies as a discipline.
2-Realism and Auteur Cinema.
2.1-The problem of realism: Aristarco, Bazin, Kracauer.
2.2-New realisms: from frame to pixel.
2.3-Film's vindications: auteur cinema and Third Cinema. Art and Politics.
3-Formalism and Textual Analysis.
3.1-Russian Formalism: Vertov, Eisenstein.
3.2-Textual passion and film as a language: semiotics and structuralism.
3.3-The post-stucturalist reform.
4-Identity Politics and Reception Theories.
4.1-Feminism and gender studies.
4.2-Cultural studies, multicultural phenomena.
4.3-Visionary pleasures. Reception and fandom.
1.1-Ways of understanding Cinema. Industry, Institution, Culture, Aesthetic.
1.2-Film Modes and Worlds: Documentary, Experimental and Fiction.
1.3-Development of film theories.
1.4-Film studies as a discipline.
2-Realism and Auteur Cinema.
2.1-The problem of realism: Aristarco, Bazin, Kracauer.
2.2-New realisms: from frame to pixel.
2.3-Film's vindications: auteur cinema and Third Cinema. Art and Politics.
3-Formalism and Textual Analysis.
3.1-Russian Formalism: Vertov, Eisenstein.
3.2-Textual passion and film as a language: semiotics and structuralism.
3.3-The post-stucturalist reform.
4-Identity Politics and Reception Theories.
4.1-Feminism and gender studies.
4.2-Cultural studies, multicultural phenomena.
4.3-Visionary pleasures. Reception and fandom.